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NEW QUESTION: 1
Given:
file1 and file2 are text files.
dir1 and dir2 are directories.
Which two commands will be successful?
A. cpdir1file1
B. cp file.dir1
C. cpfile%dir2
D. cp file?dir1
E. cpfile1file2dir1
F. cpdir1dir1
Answer: D,E
Explanation:
C: Here the wildcard character ? is used (Matches any single character). file1 and file2 will be copied into dir1
F: the two files file1 and file2 are copied into directoy dir1.
Note: cp - copy files and directories
Copy SOURCE to DEST, or multiple SOURCE(s) to DIRECTORY.
Cp has three principal modes of operation. These modes are inferred from the type and count of arguments presented to the program upon invocation.
*When the program has two arguments of path names to files, the program copies the contents of the first file to the second file, creating the second file if necessary.
*When the program has one or more arguments of path names of files and following those an argument of a path to a directory, then the program copies each source file to the destination directory, creating any files not already existing.
*When the program's arguments are the path names to two directories, cp copies all files in the source directory to the destination directory, creating any files or directories needed. This mode of operation requires an additional option flag, typically r, to indicate the recursive copying of directories. If the destination directory already exists, the source is copied into the destination, while a new directory is created if the destination does not exist.
Reference: man cp
NEW QUESTION: 2
What is called the access protection system that limits connections by calling back the number of a previously authorized location?
A. Sendback forward systems
B. Callback forward systems
C. Callback systems
D. Sendback system
Answer: C
Explanation:
"Callback systems provide access protection by calling back the number of a previously authorized location, but this control can be compromised by call forwarding." Pg 48 Krutz: CISSP Prep Guide: Gold Edition.
NEW QUESTION: 3
Those examples of poetic justice that occur in medieval and Elizabethan literature, and that seem so
satisfying, have encouraged a whole school of twentieth-century scholars to "find" further examples. In
fact, these scholars have merely forced victimized character into a moral framework by which the
injustices inflicted on them are, somehow or other, justified. Such scholars deny that the sufferers in a
tragedy are innocent; they blame the victims themselves for their tragic fates. Any misdoing is enough to
subject a character to critical whips. Thus, there are long essays about the misdemeanors of Webster's
Duchess of Malfi, who defined her brothers, and he behavior of Shakespeare's Desdemona, who
disobeyed her father.
Yet it should be remembered that the Renaissance writer Matteo Bandello strongly protests the injustice
of the severe penalties issued to women for acts of disobedience that men could, and did, commit with
virtual impunity. And Shakespeare, Chaucer, and Webster often enlist their readers on the side of their
tragic heroines by describing injustices so cruel that readers cannot but join in protest. By portraying
Griselda, in the Clerk's Tale, as a meek, gentle victim who does not criticize, much less rebel against the
prosecutor, her husband Waltter, Chaucer incites readers to espouse Griselda's cause against Walter's
oppression. Thus, efforts to supply historical and theological rationalization for Walter's persecutions tend
to turn Chaucer's fable upside down, to deny its most obvious effect on reader's sympathies. Similarly, to
assert that Webster's Duchess deserved torture and death because she chose to marry the man she
loved and to bear their children is, in effect to join forces with her tyrannical brothers, and so to confound
the operation of poetic justice, of which readers should approve, with precisely those examples of social
injustice that Webster does everything in his power to make readers condemn. Indeed. Webster has his
heroin so heroically lead the resistance to tyranny that she may well in spire members of the audience to
imaginatively joins forces with her against the cruelty and hypocritical morality of her brothers.
Thus Chaucer and Webster, in their different ways, attack injustice, argue on behalf of the victims, and
prosecute the persecutors. Their readers serve them as a court of appeal that remains free to rule, as the
evidence requires, and as common humanity requires, in favor of the innocent and injured parties. For, to
paraphrase the noted eighteenth-century scholar, Samuel Johnson, despite all the refinements of subtlety
and the dogmatism of learning, it is by the common sense and compassion of readers who are
uncorrupted by the characters and situations in mereval and Dlizabetahn literature, as in any other
literature, can best be judged.
According to the passge, "Old World" values were based on
A. guild hierarchies
B. Education
C. property
D. ability
E. family connections
Answer: C
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